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Introduction: Primer
Intervals -
Compound Intervals (Optional)
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Developing Interval Awareness
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Learning The Notes Across Your Guitar (Optional)
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Scales & Scale/Chord Relationships"Natural" Scales
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The Pentatonic Scale (Both Major & Minor)
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Unlocking The Pentatonic Scale Across The Entire Neck
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Relative Keys
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Roman Numerals
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Modes Pt. 1: Modes Of The Major Scale
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Mode Memorisation Strategies
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Modes Pt. 2: Understanding Modes & How To Use Them
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Modes Pt. 3: Applying The Modes In Diatonic Harmony
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What Each Mode Sounds Like (Demonstration & Jam Tracks)
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Chord Construction & ApplicationTriads Introduction4 Topics
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Diatonic Harmony & Triads3 Topics
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Using Triads In Your Music
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Seventh Chord Harmony
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Extended Chord Construction
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Non-Diatonic Harmony
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ArpeggiosBuilding Arpeggios Introduction4 Topics
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More Common Arpeggio Shapes
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Triad Arpeggio Exercise I: Horizontal Chord Sequencing
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Arpeggio Solo Study: "Hotel California"
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Triad Arpeggio Exercise II: Arpeggiating & Inverting Chord Progressions
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How To Use Arpeggios In Improvisation
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Triad Arpeggio Exercise III: Positional Sequencing
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SummarySummary
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List of Relevant Applied Theory & Examples
Triad Exercise: I – IV – V
25th August 2018
You will get to know how to use triads in a more practical sense. Not only is this a fun exercise for you to try, but it will also help you become familiar with creating triad chord progressions.
Triad Exercise: I – IV – V
In this exercise we’ll be jumping between the I, IV, and V chords of A major, over the backing track provided. In the video I demonstrate this using all of the available inversions on strings 2 – 4 (D, G, and B).
I encourage you to explore this idea further yourself, and find different ways to play the I – IV – V progression across the other string sets. You can descend, ascend, both horizontally and vertically. The options are almost endless!
For the sake of consistency and familiarity, I encourage you to play the progression: I – IV – V – I. This will keep you in a 4/4 time signature, which is a very pleasant and easy one for humans to follow.